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With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

• Sales Rank: #2257328 in eBooks
• Published on: 2015-10-14
• Released on: 2015-11-10
• Format: Kindle eBook

Review
"This latest installment in the Cambridge Edition of the Works of Schopenhauer is a very welcome appearance for the English-speaking scholarly world."
Dennis Vanden Auweele, Philosophischer Literaturanzeiger

About the Author
Adrian Del Caro is Distinguished Professor of Humanities and Head of Modern Foreign Languages and Literatures at the University of Tennessee. He has published many books, including The Early Poetry of Paul Celan: In the Beginning Was the Word (1997) and Grounding the Nietzsche Rhetoric of Earth (2004). He has published numerous articles in journals including Journal of the History of Ideas, Philosophy and Literature, and German Studies Review. His translations include poetry for The German Mind of the Nineteenth Century (edited by Hermann Glaser, 1981) and The Gay Science (edited by Bernard Williams, Cambridge, 2001).

Christopher Janaway is Professor of Philosophy at the University of Southampton. His most recent books include Schopenhauer: A Very Short Introduction (2002) and Beyond Selflessness: Reading Nietzsche's Genealogy (2007). His most recently edited collections include The Cambridge Companion to Schopenhauer (Cambridge, 2000) and Better Consciousness: Schopenhauer's Philosophy of Value (co-edited with Alex Neill, 2009). He is General Editor of The Cambridge Edition of the Works of Schopenhauer series, for which he has translated The Two Fundamental Problems of Ethics (Cambridge, 2009) and co-translated three other volumes.

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8 of 8 people found the following review helpful.
Cambridge University Press drops the ball on quality
By Steve
Cambridge University Press dropped the ball on this volume. I have all the other volumes in this series in hardcover, and for some reason CUP decided to change the materials used in the series midstream. The materials used in this volume are lower in quality. The paper is not as heavy or of the same quality, and the cover material is also cheaper and not as nice (more like plastic than cloth). An easy way to realize this quality difference is to pick up the hardcopy version of the first Parerga volume (which has fewer pages than this second Parerga volume) and compare their weight. The first Parerga volume, which uses higher-quality materials, weighs more than this Parerga volume. CUP, nobody wants to pay this kind of money for cheap, shoddy materials. The use of such materials in this volume is made much worse by the fact that they differ from the materials used in the prior four volumes in the series. Now the books don't match properly. I would have been willing to pay more money to have gotten the same materials CUP used before. And publishers wonder why they are losing money?

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• Published on: 2004-09-30
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[F277.Ebook] Ebook Download William Blake's Divine Comedy Illustrations: 102 Full-Color Plates (Dover Fine Art, History of Art), by William Blake

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Dante's Divine Comedy captivated medieval readers, and each successive era remains spellbound by its sublime portraits of Hell, Purgatory, and Heaven. In the early 19th century, one of England's great epic poets paid tribute to the Italian master's work. Gifted at both poetry and painting, William Blake transformed more than a hundred of Dante's visions into sketches, engravings, and brilliant watercolors. This collection features all of his distinctive interpretations of Dante's immortal trilogy.
Although Blake labored in poverty and obscurity all his life, he is recognized today as one of the preeminent artists and poets of the English-speaking world. An 1825 commission from patron John Linnell enabled him to focus on illustrating Dante's tales — the type of visionary work to which his talents were ideally suited. The artist spent the last three years of his life creating these images, which range from completely finished pieces to rough sketches. Blake's highly original approach offers not only an excellent introduction to Dante's allegorical tales, but also a new and fresh perspective for those already familiar with the Divine Comedy.

• Sales Rank: #701270 in Books
• Published on: 2008-09-19
• Released on: 2008-09-19
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 10.75" w x .50" l, .96 pounds
• Binding: Paperback
• 112 pages

About the Author
Painter, printer, and poet, William Blake (1757-1827) was a master at expressing great literature through his art. Perhaps the finest engraver in English history, Blake's illuminated books — filled with sketches and watercolors that boggle the mind with their beauty and detail — are as sought after today as they were over a hundred years ago.

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10 of 10 people found the following review helpful.
Superb works by an outstanding master artist
By C. Collins
This book of 102 plates is a grand collection and shows the work of Blake in various stages of completion from rough sketches, to watercolor wash, to etching, to full multi-colored complete watercolors, and to full multi-colored, multi-plate prints. Thus you see impressions and ideas in early stages of execution all the way to fully realized expressive works. For the most part, the works are magnificent. Blake was a fine draftsman and the graphic illustrative qualities of his work are strong. He has somewhat of an academic style in regard to drawing or painting the human body with the male, often nude, drawn with flowing manneristic precision and revealing a hyper-muscular approach to the male body. In other words, his male figures are often nude muscular fellows with flowing expressive movement. Some of the less developed works are exquisite in their early stages, such as the illustration of Virgil, at the request of Beatrice, assisting Dante in his quest for divine wisdom, an image of two figures cradled, protected, by huge flowing trees. Blake loves monsters and he really gets the opportunity to let his imagination go with the many demons and monsters and mythological characters that Virgil and Dante encounter. Whereas Blake can create fragile, pastel, impressions he can also create dark contrasting areas of great dynamism. An image of the lustful dead being swept across the dark indigo night sky is a fantastic image. Any artist would be content to have 10 masterpieces in their artistic career. Blake had hundreds of successful master works. The unfinished works feel very contemporary, such as a watercolor in mauve and yellow ochre where Dante asks Virgil to explain the influence of Fortune on humans. Blake creates an alternate reality for his world of hell, purgatory, and heaven are truly other realities than the lived in reality of life on earth. Blake's drawn diagram of the nine circles of hell puts most contemporary drawings to shame with its subtlety and sketchy graphic qualities. In another watercolor, Dante and Virgil approach the Minotaur and the surface colors are exquisite and the Minotaur has all the power of a Picasso monster. Dante mixes the gods of antiquity into hell. His completed watercolor and ink drawing of Capaneus, unrepentant and defiant, who was struck down by the lightning bolts of Zeus, shows the power of the finished pieces. The finished work of Neptune's son Anteus is absolutely beautiful. Overall the collection is a grand achievement and the images are outstanding. Dante was very concerned about the politics of the Papacy and Tuscany but Blake's images rises above the local to the universal.

1 of 1 people found the following review helpful.
Good, but a better quality edition would have been nice
By Vincent Poirier
The point to make is not that there's anything bad to say about this collection of William Blake's illustrations for Dante's Divine Comedy; rather it's that the quality of this book is nowhere near what it should be.

- It's softcover, it should be clothbound hardcover.
- The quality of the paper and binding could be much better.
- There should be contextual quotations as well as explanations of the plates.
- The graphic design, beginning with the cover, is flat and unimaginative.

The Folio Society Edition of Dante's work fetches hundreds of dollars, so that level would be too much to expect. But something of the same quality as what Houghton Mifflin Harcourt produced for Randall Munroe's "Thing Explainer" would have been perfect.

We have to remember it's a Dover edition, they publish many books other publishers would forget to consider and there are good things about this edition.

+ Blake's illustrations are fascinating and mesmerizing.
+ I can't argue with the price.
+ I'm happy it's available at all!

Vincent Poirier, Québec City

18 of 18 people found the following review helpful.
Wonderful and Imaginative art -- nice reproduction quality
By Krazyshaman
This is a beautiful book that really lets you see Blake's creative process: the illustrations range from loose sketches and incomplete paintings, to articulately finished works of art. This book does NOT contain the text of the Divine Comedy, but each plate lists the line numbers it illustrates so one can easily use it while reading Dante's masterpiece. I don't know what the customer who wrote in Italian's complaint is (since I don't understand Italian), but I give this book a top recommendation to all lovers of Blake's art.

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• Sales Rank: #1934316 in Books
• Published on: 2005
• Binding: Paperback

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Come to Me: Stories, by Amy Bloom

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Nominated for a National Book Award, this fresh and stunning collection of stories takes the reader deep into the heart of the most alarming and joyful human relationships.

• Sales Rank: #321113 in Books
• Brand: Bloom, Amy
• Published on: 1994-04-13
• Released on: 1994-04-13
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .43" w x 5.31" l,
• Binding: Paperback
• 192 pages

Amazon.com Review
Amy Bloom's 1993 collection, Come to Me, is filled with yearning mysteries of romantic and familial love that are far more complex than the phrase "love story" allows. The first sentence of the first story, "Love Is Not a Pie," evinces the contradictions, layers, and interconnections of her narrator's existence--and hooks the reader entirely. "In the middle of the eulogy at my mother's boring and heart-breaking funeral, I began to think about calling off the wedding." The title phrase means exactly what it says: Lila's mother didn't have a finite amount of affection and was lucky not to be forced to choose between love's accepted forms and a more unusual one: "People think that it can't be that way, but it can. You just have to find the right people." Lila realizes that she needs to get out of her engagement because she isn't ready for normality.

The unusual pervades these stories, and Bloom handles some outsized events with delicacy and humor. In "Sleepwalking," a new widow sends her stepson away after they've slept together, because she wants him to have a normal life. The author makes us aware that there's something terrible and foolhardy about this woman's decision. Several other characters find themselves in equally desperate situations, their only consolation being recollections of earlier bliss, often sensual: "It was like nothing else in my life, that river of love that I could dip into and leave and return to once more and find it still flowing." For them, memories of past happiness makes present sorrow bearable.

From Publishers Weekly
Bloom's remarkably consistent first collection of stories includes her award-winning "Silver Water," a sad remembrance of a mentally ill sister and the family that loves yet cannot help her. The story includes elements common to Bloom's work: female protagonists whose lives are changed through psychological trauma, often involving therapists or people embarked on therapy. This makes sense, since Bloom herself is a practicing therapist. She deftly explores the complexity of the therapist-patient relationship ("Song of Solomon" and the aptly titled, ironic "Psychoanalysis Changed My Life"); the subtle brutality of troubled families ("Love Is Not a Pie," "Sleepwalking," "When the Year Grows Old"); and the strange compromises struck by couples to maintain tenuous emotional connections ("Sleepwalking"). Taken together, however, Bloom's insights into human love and obsession tend to blur into a long and rather uniform psychoanalytic lesson, undercut occasionally by revelations. She's at her best in showing how people really think, as in a description of a self-effacing housewife's distracted thoughts during sex in "The Sight of You," or in the title story, in which Bloom achieves a soaring complexity in characters whose strange behavior eludes any simple psychological explanation.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Practicing psychotherapist Bloom has written 12 powerful short stories in a debut collection that abounds in psychological insights. Deviant human behavior is portrayed compassionately and honestly. In the story "Love Is Not a Pie," a young girl learns the meaning of love when she witnesses her mother and father's involvement with another man in a menage a trois. In "Only You," a woman who is obsessed with her hairdresser finds out that he delights in dressing up in her clothing. "Silver Water" depicts a family who must cope with the illness of their schizophrenic daughter. "Sleepwalking" portrays a moment of incest between a mother and stepson who comfort each other during a time of grief. Many of the stories feature the same characters and show the same family from different points of view and at different points in time. Recommended for public libraries.
- Stephanie Furtsch, New Rochelle P.L., N.Y.
Copyright 1993 Reed Business Information, Inc.

Most helpful customer reviews

26 of 27 people found the following review helpful.
An unflinchingly honest look at relationships
By Lara Howard Smith
I came to know Amy Bloom in my early twenties as a subscriber to Glamour Magazine. Her column was always witty. Always insightful. Imagine my delight, when I heard her interviewed on NPR. Listening to her talk about Come to Me had me severly intrigued and I purchased it that afternoon. What a fascinating look at relationship dynamics -- I read it in a few hours. Her stories offer no apologies, only unflinching honesty. You often feel like you have happened upon people you shouldn't be overhearing as they work through their grief, anomisity, anger and fear. If you can read it with the open-mindedness Ms. Bloom intended, you will have read one of the best short story collections out there.

17 of 18 people found the following review helpful.
A wonderful collection of short stories!
By A Customer
Amy Bloom offers an insightful perspective into peoples' lives with this collection of short stories. She gives readers realistic & beautiful characters, unique plot lines, and lyrical writing. What amazed me most about this book was Ms. Bloom's willingness to expose her characters' emotions and flaws without explanation or apology. Through her wonderfully provocative writing style, Ms. Bloom allows readers to have their own reactions to her stories, and does so without judgment. Readers will appreciate the humanity in each of her characters.

16 of 17 people found the following review helpful.
Wonderful collection, Bloom has an amazing voice!
By CoffeeGurl
I found this collection by accident and didn't know what to expect. Short stories can be so good, or so bad. These stories are very good, consistently good. These are stories of people searching for something missing in their lives, well told stories with heart, soul and humor. Amy Bloom has quite a unique voice. The stories center on romantic love and family woes, but Bloom adds a spark of originality to otherwise common subject matters. My favorite stories are "Sleepwalking," "Henry and Marie," "The Sight of You," and "Semper Fidelis." If you're as enthusiastic about memorable, literary short stories as I am, then I recommend Come to Me most highly. Enjoy this collection.

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[G744.Ebook] Ebook Download Fluxion: Kumari Nahappan: Art & Thoughts, by T. K. Sabapathy, Lindy Poh

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Fluxion: Kumari Nahappan: Art & Thoughts, by T. K. Sabapathy, Lindy Poh

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A meditation on art and its creation, Fluxion celebrates the life and oeuvre of Kumari Nahappan, a conceptual artist known for her bold and unique paintings and sculpture. Based mainly in Singapore, Kumari's artistic practice has spanned over two decades. She is well known for her monumental public art sculptures and installations, including the giant bronze chili pepper, Pedas Pedas, at the National Museum of Singapore, the Saga at Changi Airport, the Nutmeg at ION Orchard, Singapore, You and Me at GTower, Kuala Lumpur, Pembungaan at OUE Bay-front, Singapore, and most recently Happy Tango at Changning District, Shanghai in 2011.

Fluxion is lavishly illustrated and includes full-color reproductions of both her early and later works, over 50 full-page plates of her more significant pieces, and a color catalog of her works. Fluxion introduces the reader to the full spectrum of Kumari's achievements in both painting and sculpture, in works of art that not only excite the viewer but encourage us to see the world in a whole new way.

• Sales Rank: #4868446 in Books
• Published on: 2014-06-07
• Original language: English
• Number of items: 1
• Dimensions: 12.15" h x 1.09" w x 10.31" l, 4.25 pounds
• Binding: Hardcover
• 256 pages

About the Author
T.K. Sabapathy, born in 1938, is Singapore’s foremost art historian, curator and critic. For four decades, he has devoted his life to the research, documentation and support of contemporary visual arts in Singapore and Malaysia.

He has been a lecturer of art history at the National University of Singapore, Nanyang Technological Institution andNational Institute of Education.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Contemporary Artist in Singapore - Evolution of Painting and Sculptures
By Tom Groenfeldt
Kumar Nahappan may be a serious artist, but her image of two chilies with bright yellow books and flailing hands, entitled "These Boots are Made for Walking," shows she also has a very keen sense of humor. A former interior designer with an education in interior design studies at the Willesden College of Technology in London, she worked in interior design and space planning for several years in Malaysia before moving to Singapore and studying art at a graduate program at LaSalle University. So it should not have been a complete surprise when her graduation show was Singapore's first art installation. (My favorite of her installation is Monument, done with hanging textiles tiles in tumeric - unlike ther other installations and paintings it didn't show up in my Bing search.)

Nahappan's drawing on Hindu traditions is intriguing, as is LaSale's decision to open her thesis exhibition to the public with the idea that it promoted the mutual respect among different religious traditions in Singapore. Art in Southeast, at least as Sabapathy depicts it, plays a deeper role, and, in fact, Nahappan is explicit, especially in her public art, at wanting to make art that connects with people rather than intimidates them.

Fluxion is the story of her art and a bit of the story of art in Southeast Asia, good on her ideas, execution -- including a lot on materials -- and also some good material on public art. The quality of the book and its reproductions is outstanding, which is important because her abstract painting are very subtle. T.K. Sabapathy, who seems to have written about most of the art in Southeast Asia during his decades-long career, writes that he has been only intermittently aware of Nahappan so this book was an opportunity to delve into her work and her ideas.

He adds an exploratory interview with Nahappan at the end. Her work is stunning, and the book's quality of reproductions is excellent. Do a search for her and see -- her sculptures come across well even on a screen; her paintings do much better in the book.

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[I835.Ebook] Fee Download Rastafari Notes & H.I.M. Haile Selassie Amharic Bible, by Ras Iadonis Tafari

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Rastafari Preliminary Notes on the H.I.M. Haile Selassie I [Amharic] Bible: An Introduction to the Book of the Seven Seals by Ras Iadonis Tafari & the Lion of Judah Society. A brief introductory presentation of THE REVISED AMHARIC BIBLE OF H.I.M. HAILE SELASSIE I and its relevance to the Rastafarian movement, Ethiopian biblical and pre-Masoretic Hebrew studies. This Book discusses Judeo-Christianity in Ethiopia, the Bible, the Queen of Sheba, the Black Hebrews, the Lion of Judah, the monk named Abu Rumi and the history of translations prior to the Emperor’s Bible; reveals and explain why the H.I.M. Haile Selassie I Amharic Bible is the Holy Writ for the Ethiopian-Hebrews, faithful Black Jews and Elect Rastafari in the New Ethiopian Millennium, the New Age... ***This edition has been published in the 50th Anniversary, or Jubilee Year of the very first printing and publication of the Emperor Haile Sellassie I’s Revised Amharic Bible, the Imperial Authorized Version of the Ethiopian Holy Bible.

• Sales Rank: #2259792 in Books
• Published on: 2011-08-11
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .35" w x 5.50" l, .41 pounds
• Binding: Paperback
• 154 pages

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