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Dante's Divine Comedy captivated medieval readers, and each successive era remains spellbound by its sublime portraits of Hell, Purgatory, and Heaven. In the early 19th century, one of England's great epic poets paid tribute to the Italian master's work. Gifted at both poetry and painting, William Blake transformed more than a hundred of Dante's visions into sketches, engravings, and brilliant watercolors. This collection features all of his distinctive interpretations of Dante's immortal trilogy.
Although Blake labored in poverty and obscurity all his life, he is recognized today as one of the preeminent artists and poets of the English-speaking world. An 1825 commission from patron John Linnell enabled him to focus on illustrating Dante's tales — the type of visionary work to which his talents were ideally suited. The artist spent the last three years of his life creating these images, which range from completely finished pieces to rough sketches. Blake's highly original approach offers not only an excellent introduction to Dante's allegorical tales, but also a new and fresh perspective for those already familiar with the Divine Comedy.
- Sales Rank: #701270 in Books
- Published on: 2008-09-19
- Released on: 2008-09-19
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 10.75" w x .50" l, .96 pounds
- Binding: Paperback
- 112 pages
About the Author
Painter, printer, and poet, William Blake (1757-1827) was a master at expressing great literature through his art. Perhaps the finest engraver in English history, Blake's illuminated books — filled with sketches and watercolors that boggle the mind with their beauty and detail — are as sought after today as they were over a hundred years ago.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Superb works by an outstanding master artist
By C. Collins
This book of 102 plates is a grand collection and shows the work of Blake in various stages of completion from rough sketches, to watercolor wash, to etching, to full multi-colored complete watercolors, and to full multi-colored, multi-plate prints. Thus you see impressions and ideas in early stages of execution all the way to fully realized expressive works. For the most part, the works are magnificent. Blake was a fine draftsman and the graphic illustrative qualities of his work are strong. He has somewhat of an academic style in regard to drawing or painting the human body with the male, often nude, drawn with flowing manneristic precision and revealing a hyper-muscular approach to the male body. In other words, his male figures are often nude muscular fellows with flowing expressive movement. Some of the less developed works are exquisite in their early stages, such as the illustration of Virgil, at the request of Beatrice, assisting Dante in his quest for divine wisdom, an image of two figures cradled, protected, by huge flowing trees. Blake loves monsters and he really gets the opportunity to let his imagination go with the many demons and monsters and mythological characters that Virgil and Dante encounter. Whereas Blake can create fragile, pastel, impressions he can also create dark contrasting areas of great dynamism. An image of the lustful dead being swept across the dark indigo night sky is a fantastic image. Any artist would be content to have 10 masterpieces in their artistic career. Blake had hundreds of successful master works. The unfinished works feel very contemporary, such as a watercolor in mauve and yellow ochre where Dante asks Virgil to explain the influence of Fortune on humans. Blake creates an alternate reality for his world of hell, purgatory, and heaven are truly other realities than the lived in reality of life on earth. Blake's drawn diagram of the nine circles of hell puts most contemporary drawings to shame with its subtlety and sketchy graphic qualities. In another watercolor, Dante and Virgil approach the Minotaur and the surface colors are exquisite and the Minotaur has all the power of a Picasso monster. Dante mixes the gods of antiquity into hell. His completed watercolor and ink drawing of Capaneus, unrepentant and defiant, who was struck down by the lightning bolts of Zeus, shows the power of the finished pieces. The finished work of Neptune's son Anteus is absolutely beautiful. Overall the collection is a grand achievement and the images are outstanding. Dante was very concerned about the politics of the Papacy and Tuscany but Blake's images rises above the local to the universal.
1 of 1 people found the following review helpful.
Good, but a better quality edition would have been nice
By Vincent Poirier
The point to make is not that there's anything bad to say about this collection of William Blake's illustrations for Dante's Divine Comedy; rather it's that the quality of this book is nowhere near what it should be.
- It's softcover, it should be clothbound hardcover.
- The quality of the paper and binding could be much better.
- There should be contextual quotations as well as explanations of the plates.
- The graphic design, beginning with the cover, is flat and unimaginative.
The Folio Society Edition of Dante's work fetches hundreds of dollars, so that level would be too much to expect. But something of the same quality as what Houghton Mifflin Harcourt produced for Randall Munroe's "Thing Explainer" would have been perfect.
We have to remember it's a Dover edition, they publish many books other publishers would forget to consider and there are good things about this edition.
+ Blake's illustrations are fascinating and mesmerizing.
+ I can't argue with the price.
+ I'm happy it's available at all!
Vincent Poirier, Québec City
18 of 18 people found the following review helpful.
Wonderful and Imaginative art -- nice reproduction quality
By Krazyshaman
This is a beautiful book that really lets you see Blake's creative process: the illustrations range from loose sketches and incomplete paintings, to articulately finished works of art. This book does NOT contain the text of the Divine Comedy, but each plate lists the line numbers it illustrates so one can easily use it while reading Dante's masterpiece. I don't know what the customer who wrote in Italian's complaint is (since I don't understand Italian), but I give this book a top recommendation to all lovers of Blake's art.
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